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RSSBecoming Your Characters
“It sounds like you,” said my friend, the playwright, when I asked him about the script I had given him.
Coming from a successful writer, it wasn’t a compliment. If all the characters in your novel sound like you, maybe you should forget about the novel and write an autobiographical monologue instead.
You’ll find, if you listen to them, that your characters want to be free. They want to be individuals. Just like your children, they don’t want to be exactly like you. And, just like your children, they shouldn’t be.
Many fiction writers approach their work as an actor does his. When they are writing about a character, they become that character. Actors call it “Method acting,” based on the methods of Russian director Konstantin Stanislavsky.
Method acting was a reaction to the nineteenth century tradition of making “rhetorical gestures” that were supposed to represent every human emotion. Writers can fall into a similar trap, where their characters act in clichéd manners, always “weeping” when they are sad, always “chuckling” when they are happy. (My characters are always “smiling.”)
The key to “Method writing” is to understand the character, then let the character live. When you know, even subconsciously, what the character is like, you will instinctively know what the character is going to do or say.
Some authors, like some actors, write out elaborate biographies for every major character before they begin. For others, such pre-planning would hurt their creative process. Indeed, as you write, even well-researched characters usually end up surprising you, as you realize that they aren’t exactly who you thought they were.
This may sound more mystical than it needs to. I’m not advocating a voodoo-like possession, where your characters take over your life. But a sensitive writer knows when an action or a statement rings true to that character or not.
Of course, if you’re not discreet as you work, people will look at you funny. One daughter of a famous nineteenth century novelist recalled how he would write his dialog out loud, playing each character in turn in fine theatrical style. After receiving that mild rebuke from my friend the playwright, I found myself working on dialog as I walked to work along a certain downtown street. I wasn’t the only person on that street talking to himself. Later I discovered that just around the corner was a shelter that catered to the homeless mentally ill.
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Thanks, I will share this with my husband who is writing his first novel.
As a newbie author, I find creating characters, without injecting my own attributes into them, is hard. This article will be a big help in that area.
Thanks.
when I’m creating characters, i sometimes find this helpfull: http://www.charlottedillon.com/CharacterChart.html you fill it in and you have a basic idea of who your character is.
Hope this helps!
I find my characters surprise me when I write them. One even turned out to be evil after I couldn’t get her to feel right. And now, she seems so different from the beginning, and yet, she flows better than before.
I try to make character plans, because when I do, I find that my characters somehow or rather, have similar speech patterns. Making character charts help me distinguish them.
And this article just made my day. Because it rings true with me too.
*laughs maniacally* So you’re saying I’m not the only one who hears voices?
When your characters surprise you, you should follow down that road, as there are often more to come.
The trick is know when to reel them in.
I practically learned writing from Roleplaying (play-by-post style) and so characters come the easiest for me, I think. I have several characters with very different voices and one in particular that really has become herself. I’m honestly not sure what I’m trying to say here, but I guess Roleplaying with characters is one of the easiest ways to get to know them. Besides that, it’s more fun that way. XDD I suppose it helps to have a few other good writer friends, and a younger mindset >_> Maybe only kids like me would be interested in that sort of thing.
I do the same as Nova; I roleplay. I sort of imagine that I am the character, in the setting, talking to the people and seeing the events and stuff going on around me, and then I am not me anymore, I am the character. Even when the character is not a female, I can do this pretty easily. I thought I just had an overactive imagination, but I am pleased to hear I am not the only one.
I find one of the best ways to develop a character is to be that person right before you go to sleep and right when you wake up. Just imagine yourself in whatever setting your character is in, and then let them talk and move (it is sort of like daydreaming).